What books has Paul Schrader written?

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Paul Schrader, renowned for his contributions to cinema as a director and screenwriter, is not confined to the boundaries of the silver screen. In addition to his impactful work in the film industry, Schrader has ventured into the realm of literature, showcasing his diverse talents as an author. This article explores the books written by Paul Schrader, offering a glimpse into the literary side of the acclaimed filmmaker.

  • “Transcendental Style in Film: Ozu, Bresson, Dreyer” (1972)

    • One of Paul Schrader’s earliest forays into literature is the influential work, “Transcendental Style in Film: Ozu, Bresson, Dreyer.” Published in 1972, this seminal book delves into the cinematic styles of three master directors: Yasujirō Ozu, Robert Bresson, and Carl Theodor Dreyer. Schrader explores the spiritual and aesthetic dimensions of their work, offering profound insights into the transcendental aspects of filmmaking.

  • “The Yakuza” (1974)

    • While not a traditional book, Schrader’s screenplay for the film “The Yakuza” is a notable addition to his written works. Co-written with his brother Leonard Schrader, the screenplay provides a captivating narrative that intertwines elements of crime, drama, and Japanese culture. The film, directed by Sydney Pollack, reflects Schrader’s ability to craft engaging stories that transcend the boundaries of the page.

  • “Raging Bull” (1980)

    • Similar to “The Yakuza,” Schrader’s screenplay for the iconic film “Raging Bull” is a testament to his storytelling prowess. Co-written with Mardik Martin, the screenplay captures the tumultuous life of boxer Jake LaMotta, portrayed by Robert De Niro. The film, directed by Martin Scorsese, earned critical acclaim and is often regarded as one of the greatest films in cinematic history.

  • “Mishima: A Life in Four Chapters” (1985)

    • Expanding his literary exploration, Schrader delves into the life of Japanese author Yukio Mishima in the screenplay for “Mishima: A Life in Four Chapters.” The film, which Schrader also directed, weaves together Mishima’s real-life events and his fictional works in a visually stunning and innovative manner. The screenplay reflects Schrader’s ability to delve into the complexities of artistic and personal expression.

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